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FOUND: Chekhov - What They Never Told You

I’ve seen Chekhov’s Cherry Orchard 20 times – and it blossoms when tended by the British

Helen Hunt and Kristin Scott Thomas are leading revivals of the Russian classic whose blend of comedy and tragedy is baked into our own dramatic heritage

The Guardian - UK

Joseph Fiennes opens up about Dear England: "I thought I was going to be in a Shakespeare or Chekhov play… then I was handed a script about Gareth Southgate!"

Award-winning actor Joseph Fiennes reveals it was a privilege to play the England boss and not a poison chalice.

FourFourTwo

Jane Lapotaire was a sensation as Edith Piaf – and a majestic actor you’d never regret seeing on stage

Lapotaire’s portrayal of the French singer transcended impersonation and she revealed her instinctive intelligence in Shakespeare, Chekhov, Ibsen and much more

The Guardian - UK

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Soft Serve by George Kemp review – moving coming-of-age debut set in a regional McDonald’s

Climate carnage is a metaphor for the pain of loss, as an encroaching bushfire traps four people under the golden arches

The Guardian - AU

The Best Upcoming Time-Travel Movie Is An Impossible Mockumentary

'Nirvanna the Band the Show the Movie' is a sci-fi take on a cult classic series.

Inverse

The Seagull review – Caroline Quentin sparkles in sharp, stylish Chekhov

James Brining’s first production as Lyceum artistic director finds humour and humanity in a finely etched ensemble

The Guardian - UK

I played China's 'anime GTA' Ananta and I wasn't surprised to find Spider-Man swinging and Batman punching, but I wasn't quite ready for the vampire who vomits rainbows

This may be the most maximalist videogame of all time.

PC Gamer

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This plot trick is ruining modern television, and we’re to blame

STATE OF THE ARTS: As ‘Hostage’, ‘Coldwater’ and ‘The Guest’ all arrive within weeks of each other, Phil Harrison asks: are our low attention spans slowly destroying TV?

The Independent UK

I’m from an English working-class town. When will society stop looking at us through the rearview mirror?

The migration debate reflects deep uncertainties about the realities now facing these communities. That feels perilous to me, says playwright Beth Steel

The Guardian - UK

‘We can hear their saliva’: why are so many actors suddenly using microphones?

From Greek tragedy to Chekhov to Rosamund Pike in Inter Alia, handheld mics are everywhere on stage right now. Is this a thrilling innovation – or a pointless fad?

The Guardian - UK

Brian Wilson was not the last stop on music’s great adventure

Letters: Anoushka Lucas and Tarik O’Regan respond to an article wondering whether there are any musical geniuses left after the death of the Beach Boys co-founder

The Guardian - UK

A Visit to Friends at Aldeburgh Festival: 'an opera with a totally new harmonic language'

4/5 Composer Colin Matthews has produced his first opera and sprung a huge surprise with this ambitious work at Aldeburgh Festival

Evening Standard

Gina Gershon: ‘People like to cast me as a hardcore, motorcycle-riding, lesbian, man-killing demon’

INTERVIEW: The star of cult classics including ‘Bound’ and ‘Face/Off’ is once again stealing scenes, this time in an action thriller called ‘High Rollers’. She speaks to Adam White about the trauma of being in ‘Showgirls’, how it takes 20 years for her films to be embraced, and why she…

The Independent UK

A Visit to Friends/The Gildas Quartet review – Colin Matthews’s luminous new opera opens Aldeburgh in fine style

With a Chekhov-inspired libretto by William Boyd, this ‘opera within an opera’ had an excellent cast and a lucid staging. Another brand new work by Colin Matthews – his vivid Quartet No 6 – featured the following morning

The Guardian - UK

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The Guardian - UK

‘The law is another form of storytelling’: Philippe Sands in conversation with Juan Gabriel Vásquez

When Chilean dictator Augusto Pinochet was arrested in London in 1998, lawyer Philippe Sands was part of the prosecution. As his book about the case comes out, he talks to the Colombian novelist about literature and justice

The Guardian - UK

The week in theatre: The Seagull; Punch – review

Cate Blanchett is magnetic – and maddening – as faded actor Arkadina in Chekhov’s supreme play about writers. Plus, James Graham’s bracing real-life drama of actions and consequences hits home

Evening Standard

The Seagull at the Barbican review: is Cate Blanchett's performance the year's best?

5/5 Blanchett delivers an highly skillful performance in director Thomas Ostermeier’s meta production of the Chekhov class

The Guardian - UK

The Seagull review – Cate Blanchett and an all-star ensemble take wing

Thomas Ostermeier’s masterful staging has tremendous performances from a cast including Tom Burke, Emma Corrin and Kodi Smit-McPhee

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The Guardian - UK

Roger Harcourt obituary

Other lives: Headteacher who transformed the lives of his Hertfordshire comprehensive pupils with summer Shakespeare camps

The Guardian - UK

The Violet Hour by James Cahill review – soapy and satisfying art-world yarn

Artists, gallerists and collectors vie for power in a rollicking mystery that pokes fun while also examining desire and regret

The Guardian - UK

Ben Okri: ‘Is A Tale of Two Cities the greatest English novel? Meet me in a pub to discuss’

The poet and novelist on having his heart broken by Animal Farm, imagining Ibsen and Chekhov characters as Nigerian, and ditching physics for Plato

The Guardian - UK

Three Sisters review – candlelit stage throws flickering light on a fiery family

Chekhov’s claustrophobic drama is perfectly suited to this intimate venue, with moments of humour leavening the heartbreak

The Guardian - UK

The South by Tash Aw review – an intimate epic begins

Two boys on the brink of adulthood in 1990s Malaysia, in the opening volume of a Proustian quartet

The Guardian - UK

In The Seagull, Cate Blanchett and Thomas Ostermeier could make small details seismic

The Oscar winner stars in the German director’s production of the Chekhov classic where ‘everything is open to interpretation’

The Guardian - UK

Joan Plowright was a dynamic force for change in British theatre

The remarkable actor symbolised a radical new generation to her husband Laurence Olivier’s theatrical establishment

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